{"id":12314,"date":"2021-01-21T08:54:08","date_gmt":"2021-01-21T08:54:08","guid":{"rendered":"https:\/\/strettoblastercom.stage.site\/?p=12314"},"modified":"2022-03-07T14:31:06","modified_gmt":"2022-03-07T14:31:06","slug":"fondle-em-records-mixtape","status":"publish","type":"post","link":"https:\/\/strettoblaster.com\/it\/beats\/fondle-em-records-mixtape\/","title":{"rendered":"Fondle Em Records: un omaggio a un culto underground"},"content":{"rendered":"<h2>Welcome to Fondle Em Records: Bobbito&#8217;s seminal contribution to the history of Hip-Hop.<\/h2>\n<p><!--more--><\/p>\n<p>For the few among you who don&#8217;t know, <strong>Fondle 'Em Records<\/strong> was the name of one the most <a href=\"https:\/\/strettoblaster.com\/it\/pieces\/hip-hop-labels\/\" target=\"_blank\" rel=\"noopener\">prominent independent hip hop labels<\/a> of its time. It was created, owned, and operated by NY radio personality\/host\/deejay\/sneaker-freak\/underground hip-hop mogul <strong>Bobbito Garcia.<\/strong><\/p>\n<p>Everything started back in New York (where else?!) in 1995, almost as a joke, when Bobbito was trying to create supporting material for his Bobbito &amp; Stretch Armstrong radio show (check the Internets for the whole trivia). With a discography comprised of a bit less than forty releases, the label was ended in 2001.<\/p>\n<p>In such a short stint, a small record company added unforgettable bricks in the wall of the so-called independent hip hop, while at the same time launching the careers of artists such as the late, great <strong>MF Doom<\/strong> (R.I.P., Metal Face, we&#8217;ll miss you&#8230;) and <strong>The Arsonists<\/strong>, alongside legends on their own such as <strong>MF Grimm<\/strong> e <strong>Cage <\/strong>(that same Cage later known as a <a href=\"https:\/\/strettoblaster.com\/it\/beats\/def-jux-tribute-mix\/\" target=\"_blank\" rel=\"noopener\">Def Jux Records<\/a> herald, yep), just to name a few.<\/p>\n<div class=\"single-article__video-wrapper\"><iframe loading=\"lazy\"title=\"Fondle Em Records Tribute Mix: Enter The Fossils - A compilation by TwoMave &amp; JR Mastro\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/cd-cM0Y82rg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h3>Born as a joke, Fondle Em Records was &#8220;<em>one of the most compelling underground hip-hop labels<\/em>&#8220;&#8230;<\/h3>\n<p>That&#8217;s exactly what the hip-hop journalist <a href=\"https:\/\/strettoblaster.com\/it\/pieces\/brian-coleman-interview\/\" target=\"_blank\" rel=\"noopener noreferrer\">Brian Coleman<\/a> said about Bobbito&#8217;s brainchild, for the record.<\/p>\n<p>In the late Nineties, <strong>the New York radio host gave to many underground artists exactly what they needed<\/strong>: a chance to have a record deal on his Fondle \u2018Em label, and shine through it.<\/p>\n<p>As a very well industry-connected guy and one of the greatest hip-hop promoters of his era, Bobbito made his artists&#8217; roster visible. As an outcome, with some of these artists at least, he left some memorable pages in the history of what was once known as underground hip-hop.<\/p>\n<p>Projects like <strong>The Juggaknots&#8217;<\/strong> own <em>Clear Blue Skies<\/em>seminal first LP, or MF DOOM early twelve inches, after his character-change from the KMD&#8217;s era, wouldn\u2019t have been recorded if it wasn\u2019t for Bobbito Garcia and his expertise and intuition.<\/p>\n<p>Something similar could be said for <strong>The Cenobites<\/strong> a.k.a. Godfather Don and Kool Keith, whose sole album as a duo could have proved too contorted and irksome to manage for an average hip-hop label back in 1995, but was the jumpstart for Bobbito.<\/p>\n<h3>&#8230;it gave birth to something like &#8220;an underground cult&#8221;.<\/h3>\n<p>For all the above reasons, as one of the pillars of StrettoBlaster, discussing Fondle Em our man <a href=\"https:\/\/strettoblaster.com\/it\/pieces\/ffiume-interview-underlife\/\" target=\"_blank\" rel=\"noopener noreferrer\">FF<\/a> stated that &#8220;<em>other than a simple &#8220;indie hip-hop label&#8221;, <strong>Fondle Em Records has more of an underground cult<\/strong> than anything else. It championed an artistic vision and integrity straight from the down under, showing authentic appreciation for the hip-hop culture pouring out the heart of NYC in the mid to late 90s<\/em>&#8220;.<\/p>\n<p>That&#8217;s probably because, as Stromberg, The Host points out, it was &#8220;<em> (&#8230;) quality over quantity, as the records were made for fun instead of money only, pressed in limited quantities too, in a time when the mainstream industry was already piling up millions, and crunching incredible numbers<\/em>&#8220;.<\/p>\n<h3>The epitome of the underground hip-hop mentality.<\/h3>\n<p>So, heralding the kind of mentality that was slowly dying back then, the label was concentrated on hip-hop as a real culture and pure research. Fondle Em Records wasn&#8217;t exactly interested in releasing products tailormade on the average consumers&#8217; gusto &#8211; while prompting and enhancing that exact average taste, in a downward spiral- which was (and still is) the inevitable ending point of every industrial production of music.<\/p>\n<p>On a more personal note, we want to underline that every label that boasts the presence of <strong>Yeshua DapoEd<\/strong> in its roster is worth being revered eternally.<\/p>\n<p>Jokes aside, it was the epitome of the same mentality that others trailblazed at the same time, something comparable to Rawkus, but probably rawer and, in a sense, even more authentic.<\/p>\n<p>This mixtape, <a href=\"https:\/\/strettoblaster.com\/it\/beats\/ill-boogie-records-mixtape\/\" target=\"_blank\" rel=\"noopener noreferrer\">like many others before it<\/a>, is brought to you by StrettoBlaster and <a href=\"https:\/\/www.youtube.com\/c\/RadioConcreteJungle\/featured\" target=\"_blank\" rel=\"noopener noreferrer\">Concrete Jungle<\/a>: we&#8217;re cooking more for you all, so stay tuned. Enjoy the tracklist and best regards, y\u2019all!<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?hide_cover=1&amp;feed=%2Fstrettoblaster%2Ffondle-em-records-tribute-mix-the-blast-podcast-131%2F\" width=\"100%\" height=\"120\" frameborder=\"0\"><\/iframe><\/p>\n<h4>A Fondle Em Records Tribute Mix: The Blast Podcast #131<br \/>\n<strong><em>A compilation by TwoMave &amp; Concrete Jungle<\/em><\/strong><\/h4>\n<p>01 <em>Flossin<\/em> &#8211; Y@k Ballz<br \/>\n02 <em>Truly Gifted Ones<\/em> &#8211; Dj Eli &amp; Shan Boogs feat. J Treds, Pumpkinhead, Yeshua Dapo Ed<br \/>\n03 <em>Rocket Science<\/em> &#8211; MHz feat. Jakki The Mota Mouth<br \/>\n04 <em>Do It For The Kids<\/em> &#8211; M.F. Grimm<br \/>\n05 <em>Widespread<\/em> &#8211; Jakki the Mota Mouth feat. Copywrite<br \/>\n06 <em>Blazetha Breaks<\/em> &#8211; Cashless Society feat. Black Intellect, Snaz, X-Amount<br \/>\n07 <em>Haagen-Daz<\/em> &#8211; The Boulevard Connection feat. El Da Sensei, Tame 1, Dj Kaos<br \/>\n08\u00a0<em>Make It Happen<\/em> &#8211; J-Treds<br \/>\n<em>09 Repetition<\/em> &#8211; Siah<br \/>\n10 <em>Greenbacks<\/em> &#8211; M.F. Doom feat. Megalon<br \/>\n11 <em>World Premiere<\/em> &#8211; MHz<br \/>\n12 <em>Radiohead<\/em> &#8211; Cage<\/p>","protected":false},"excerpt":{"rendered":"<p>Welcome to Fondle Em Records: Bobbito&#8217;s seminal contribution to the history of Hip-Hop.<\/p>","protected":false},"author":14,"featured_media":12412,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[3365],"class_list":["post-12314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beats","tag-mixes"],"acf":[],"_links":{"self":[{"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/posts\/12314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/comments?post=12314"}],"version-history":[{"count":10,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/posts\/12314\/revisions"}],"predecessor-version":[{"id":13438,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/posts\/12314\/revisions\/13438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/media\/12412"}],"wp:attachment":[{"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/media?parent=12314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/categories?post=12314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/tags?post=12314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}