{"id":12742,"date":"2021-02-15T18:53:57","date_gmt":"2021-02-15T18:53:57","guid":{"rendered":"https:\/\/strettoblastercom.stage.site\/?p=12742"},"modified":"2021-03-09T18:27:44","modified_gmt":"2021-03-09T18:27:44","slug":"fanu-fatgyver-interview","status":"publish","type":"post","link":"https:\/\/strettoblaster.com\/it\/pieces\/fanu-fatgyver-interview\/","title":{"rendered":"Fanu il FatGyver ha i battiti freddi e rockeggianti"},"content":{"rendered":"<h2>In nearly 30 years in the music business, Fanu FatGyver has done it all.<\/h2>\n<p>Finnish producer\u00a0Janne Hatula,\u00a0aka<span class=\"s2\"><b>\u00a0<\/b><\/span><span class=\"s1\"><b><i>Fanu<\/i><\/b><\/span><span class=\"s2\">\u00a0<\/span><span class=\"s1\">e<\/span><span class=\"s2\">\u00a0<\/span><span class=\"s1\"><b><i>FatGyver<\/i><\/b>, has been making electronic music for nearly 30 years, with an eclectic approach, to say the least. <\/span><\/p>\n<p>In fact, he has been able to explore the boundaries of\u00a0breakbeat music, expanding his sound in many directions.\u00a0As Fanu, he has\u00a0released\u00a0drum and bass\u00a0records\u00a0on several indie labels such as Subtitles, Offshore, Commercial Suicide. He has\u00a0also started his own\u00a0imprint, Lightless Recordings.<\/p>\n<p>His music has been featured in the catalogue of respected labels, such as <strong>Metalheadz<\/strong> e <strong>Ninja Tune<\/strong>. He has performed around the world as a DJ and live artist. As an in-demand mixing\/mastering engineer, he works on all sorts of electronic music, as well as Hip Hop.<\/p>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-portrait-in-studio.jpg\" alt=\"Fanu Fatgyver in his home studio \" width=\"900\" height=\"480\" class=\"aligncenter size-full wp-image-12756\" srcset=\"https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-portrait-in-studio.jpg 900w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-portrait-in-studio-300x160.jpg 300w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-portrait-in-studio-768x410.jpg 768w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-portrait-in-studio-370x197.jpg 370w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-portrait-in-studio-600x320.jpg 600w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/>\n<h2>The FatGyver and the golden sounds that never go out of fashion.<\/h2>\n<p>Finally, that good old sample-based hip hop, as he loves to call it, is Fanu\u2019s passion. Under the moniker of <strong>FatGyver<\/strong> he has recently released <i>Adventures In Imperfection<\/i>, his new foray into the borderlands of hip hop and funk.<\/p>\n<p>The Finnish beatsmith conjures an &#8220;East Coast&#8221; mood that evokes smokey urban landscapes and dimly-lit nocturnal city streets while sporting samples from <i>The Office,<\/i> and fresh break-beats. A &#8220;New York State of Mind&#8221; kind of music straight from Helsinki\u2026could you figure it out? We have asked all about it to the man himself.<\/p>\n<blockquote><p>Fashion comes and goes, while style stays \u2013 after all, it\u2019s not like The Ramones ever changed much, either, as their recipe simply worked \u2013 and the same can be said about hip hop. &#8211; The FatGyver<\/p><\/blockquote>\n<p><b>Let\u2019s start with the title. <i>Adventures in Imperfection<\/i>. Why the title, and what do you like about imperfections in hip hop (and in music, generally speaking)?<\/b><br \/>\nThe title refers partly to the fact that to me, the style of hip hop I love and make has always celebrated a slightly gritty aesthetic: it\u2019s not super honed or polished, and it\u2019s often using lo-fi samples, drums, etc. That\u2019s part of its charm.<\/p>\n<p>I also like to sample old movies and <a href=\"https:\/\/strettoblaster.com\/it\/shop\/\" target=\"_blank\" rel=\"noopener\">music<\/a>, and they do sound quite imperfect, but that\u2019s why it\u2019s so great. A lot of the music we hear today is honed to perfection, and I think \u201c<em>beat tapes<\/em>\u201d like these are always a very refreshing change.<\/p>\n<p>I also make my main living as a mixing and mastering engineer, and we\u2019re often chasing the most ideal and \u201cperfect\u201d sound for the music, and to me, this type of music is a nice escape from that.<\/p>\n<p>Life is all about imperfections. Like John Peel said, \u201c<em>Life has surface noise<\/em>\u201d (as a response to someone criticizing vinyl for having noise). Eckhart Tolle said something like the more you try and control your life, the less control you have over it&#8230;<\/p>\n<p>So your perfect plan hardly ever works out all perfect, but then again what comes out of it may be pretty great. If you think about plans when you travel: you usually don\u2019t follow your plans perfectly but end up doing this and that instead but it all turns great.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/lo-fi-boom-bap-tapes-fatgyver.jpg\" alt=\"Lo-fi beat tapes produced by Fanu FatGyver for Phat Ventures Records\" width=\"900\" height=\"480\" class=\"aligncenter size-full wp-image-12758\" srcset=\"https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/lo-fi-boom-bap-tapes-fatgyver.jpg 900w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/lo-fi-boom-bap-tapes-fatgyver-300x160.jpg 300w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/lo-fi-boom-bap-tapes-fatgyver-768x410.jpg 768w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/lo-fi-boom-bap-tapes-fatgyver-370x197.jpg 370w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/lo-fi-boom-bap-tapes-fatgyver-600x320.jpg 600w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><br \/>\n<br \/>\n<b>The mood of the album evokes a specific period in hip hop, its equipment, and quirks. What you like about that period and which feelings you were trying to bring back?<\/b><br \/>\nThis all relates partly to what I said previously. A lot of the old stuff we cherish is very imperfect: their sounds, arrangements, and some aesthetic choices may be a bit rugged, but the contrast it creates to all the stuff that is so polished these days seems to work and appear appealing.<\/p>\n<p>The feelings I want to evoke are sometimes a bit dreamy but also funky, groovy\u2026 kind of organic. I\u2019ve always liked organic vibes in hip hop. I don\u2019t do that hard-slamming street stuff; I like to go kind of easier. I guess a relaxed feeling is what I cherish the most.<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1241611909\/size=small\/bgcol=ffffff\/linkcol=de270f\/track=445083503\/transparent=true\/\" seamless><a href=\"https:\/\/fanu.bandcamp.com\/album\/adventures-in-imperfection-3\" target=\"_blank\" rel=\"noopener\">Adventures In Imperfection by FatGyver<\/a><\/iframe><\/p>\n<p><b>Talking about equipment, the cover is pretty self-explanatory, but you have incorporated many famous samplers in your music (AKAI S-900, S-950, MPC), and you are also an Ableton pro-level user and trainer. How was your workflow for this project? Did you have a recipe you followed for all the tracks or were they conceived in different ways?<\/b><br \/>\nI never really have a recipe; I usually start working on a loop that evokes a certain mood and just builds the song around that. Sometimes I may start with some older gear and record some 32 bars out of that into my DAW and work on the arrangement further there, edit it, mix it, etcetera.<\/p>\n<p>The mood has to work from the beginning\u2026it has to make my head nod and think this is the type of music I\u2019d pay for. I try to stay away from formulas in both song structures and also my own workflows. It\u2019s not always easy.<\/p>\n<p>I want to offer stuff that\u2019s at least slightly different from what others do. I don\u2019t think I\u2019m reinventing the wheel or that I\u2019m some musical saviour \u2013 not at all \u2013 but at least it\u2019s not mega-generic\u2026I hope, and to know whether I\u2019m right or full of sh*t you&#8217;ll just have to listen to the album to find out, ha!<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1241611909\/size=small\/bgcol=ffffff\/linkcol=de270f\/track=531724442\/transparent=true\/\" seamless><a href=\"https:\/\/fanu.bandcamp.com\/album\/adventures-in-imperfection-3\" target=\"_blank\" rel=\"noopener\">Adventures In Imperfection by FatGyver<\/a><\/iframe><br \/>\n<br \/>\n<b>I can hear at least three different \u201cHip Hop Eras\u201d that you homaged in <i>Adventures<\/i>. Was it something that you planned to begin with, or did it just happen spontaneously since we are talking about hip hop gods? Did you consciously say \u201cI am going to try and do a bit in the vein of\u2026 \u201d for any of the songs in the album?<\/b><br \/>\nWhat I do musically is very little a conscious process\u2026that is, I really just try and create something that I like, and I go from there, and I don\u2019t plan things much. It may sound very old or modern, and as long as the vibe fits, I push ahead with it.<\/p>\n<p>But while I may not have a plan, I usually have a mood in mind I want to chase. To me, planning a song doesn\u2019t always work anyway, and I\u2019ve felt that songs often kind of write themselves as you get going, and my best tip is to go with that flow, even if it\u2019s very different from what you planned initially.<\/p>\n<p>It\u2019s like sometimes your hand is guided by some divine being of musical inspiration\u2026so let it guide you, ha! That\u2019s how it often goes for me.<\/p>\n<p>I don\u2019t feel I am trying to pay homage to anyone or such, but I\u2019ve heard DJ Bailey say twice my stuff reminds him of DJ Premier, and that\u2019s a compliment. We\u2019re all products of what we\u2019ve heard and liked up to this point, I\u2019d say.<\/p>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-old-school-samplers-addiction.jpg\" alt=\"Old school boom-bap sampler aficionado Fanu Fatgyver showing off some samples \" width=\"900\" height=\"480\" class=\"aligncenter size-full wp-image-12759\" srcset=\"https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-old-school-samplers-addiction.jpg 900w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-old-school-samplers-addiction-300x160.jpg 300w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-old-school-samplers-addiction-768x410.jpg 768w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-old-school-samplers-addiction-370x197.jpg 370w, https:\/\/strettoblaster.com\/wp-content\/uploads\/2021\/02\/fanu-fatgyver-old-school-samplers-addiction-600x320.jpg 600w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/>\n<p><b>In your music projects, whether it is D\u2019n\u2019B or hip hop, you like your drums hard, generally speaking. How do you go about getting that Fanu hard knock in your drums?<\/b><br \/>\nI try and pick sounds that will lend themselves to that hard-hitting vibe. I often saturate drums a bit, sometimes with my analog Soundcraft Series 200 SR desk.<\/p>\n<p>In the DAW realm, I use whatever saturators, Pultec EQ on kicks and busses, etc.<br \/>\nJust running the signal hot in analog-type ways is good.<\/p>\n<p><b>The music in\u00a0<i>Adventures in Imperfection<\/i>\u00a0is obviously sample-based. What is your ethos when sampling and what do you do to keep sample-based music fresh and original?<\/b><br \/>\nI mostly want to sample things that I either haven\u2019t heard a million times or at least it has to be something I feel I haven\u2019t heard. I sample cheap records, movies, TV series, etcetera. I\u2019ve been binge-watching the old <i>MacGyver<\/i>\u00a0series, and today I found some gold on it!<\/p>\n<p>I\u2019ve sampled the old\u00a0<i>Twilight Zone<\/i> series a lot. Black and white movies, Jim Jarmusch movies\u2026stuff that\u2019s not so \u201cobvious\u201d gets me going. Just watched the old\u00a0<i>Klute<\/i>\u00a0movie again and realized I have some nice samples from that too I want to use. To me, stuff like this makes it really interesting.<\/p>\n<p>I absolutely don\u2019t diss sample packs, and I\u2019ve used some, but to me, the chase is half the fun\u2026it\u2019s a big part of the whole sport. A journey\/destination thing.<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=506945621\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=4146717098\/transparent=true\/\" seamless><a href=\"https:\/\/fanu.bandcamp.com\/album\/small-songs-that-my-samplers-sing-2\" target=\"_blank\" rel=\"noopener\">Small Songs That My Samplers Sing by FatGyver<\/a><\/iframe><\/p>\n<p><b>You suggested that the album will appeal to fans of\u00a0DJ Krush, Pete Rock, DJ Premier, Luke Vibert, Marco Polo, Damu The Fudgemunk. Is there any producer\/musician that influenced you for the creation of this album that might not be obvious when listening to the songs?<\/b><br \/>\nHmmm. Interesting question. Not necessarily one producer, but a lot of 90s acts and 90s-style acts\u2026producers that keep sampling alive. I guess The Future Sound Of London, while not stylistically similar, opened my eyes to the world of sample-based music.<\/p>\n<p>I mean, a lot of people\u00a0might say that you don\u2019t have to sample to make good music, and while this is 100% true, I often find the sample-based stuff to be the most interesting and organic, whatever the reason. I mean just listen to the old FSOL stuff!<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=506945621\/size=small\/bgcol=ffffff\/linkcol=e99708\/track=1201040611\/transparent=true\/\" seamless><a href=\"https:\/\/fanu.bandcamp.com\/album\/small-songs-that-my-samplers-sing-2\" target=\"_blank\" rel=\"noopener\">Small Songs That My Samplers Sing by FatGyver<\/a><\/iframe><\/p>\n<p><b>An inevitable question, as I live in Finland: how do you think being Finnish influenced your music? There is certain humour Finnish people have that seems to pop up in this project as well\u2026<\/b><br \/>\nYeah, the humor aspect for sure. Shit, man, to deal with the lack of light in this country, you can\u2019t get too grim. Gotta laugh at things. I don\u2019t take life too seriously. Being Finnish has definitely influenced my Fanu stuff 100%, the drum and bass \u201cotherness\u201d vibe.<\/p>\n<p>I\u2019ve always found the lack of light fascinating as it leaves a lot of room for interpretation. I lived in the Finnish countryside till I was 20, and it was cold then, too, and I\u2019ll say all that definitely shaped my DNB sound at least \u2013 I mean, to clarify my point: if I had lived in Miami, I might sound way different, you know?<\/p>\n<p><b>Any final words for our readers? You can plug your Phatventures company or anything else you want\u2026<\/b><br \/>\nPeep\u00a0<a href=\"https:\/\/fanu.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\"><span class=\"s8\">fanu.bandcamp.com<\/span><\/a>\u00a0for my music. If you want world-class audio engineering (mixes and masters), holla at me.<\/p>\n<p>To listen or buy\u00a0<em>Adventures in Imperfection<\/em>, please visit:<br \/>\n<a href=\"https:\/\/fanu.bandcamp.com\/album\/adventures-in-imperfection-3\" target=\"_blank\" rel=\"nofollow noopener\"><strong>Bandcamp<\/strong><\/a><strong><br \/>\n<\/strong><a href=\"https:\/\/music.apple.com\/fi\/album\/adventures-in-imperfection\/1549945806\" target=\"_blank\" rel=\"nofollow noopener\"><strong>Apple Music<\/strong><\/a><strong><br \/>\n<\/strong><a href=\"https:\/\/tidal.com\/browse\/album\/170354301\" target=\"_blank\" rel=\"nofollow noopener\"><strong>Tidal<\/strong><\/a><strong><br \/>\n<\/strong><a href=\"https:\/\/open.spotify.com\/album\/0aaAzpV056I0y871kQnKqI?si=87Q9bBT1TV2QjgO0lOVRTg\" target=\"_blank\" rel=\"nofollow noopener\"><strong>Spotify<\/strong><\/a><strong><br \/>\n<\/strong><a href=\"https:\/\/www.beatport.com\/release\/adventures-in-imperfection\/3262701\" target=\"_blank\" rel=\"nofollow noopener\"><strong>Beatport<\/strong><\/a><br \/>\nOr preview it on <strong><a href=\"https:\/\/soundcloud.com\/fanufatgyver\/sets\/fatgyver-adventures-in-1\" target=\"_blank\" rel=\"nofollow noopener\">Soundcloud<\/a><\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>In nearly 30 years in the music business, Fanu FatGyver has done it all. Finnish producer\u00a0Janne Hatula,\u00a0aka\u00a0Fanu\u00a0and\u00a0FatGyver, has been making electronic music for nearly 30 years, with an eclectic approach, to say the least. In fact, he has been able to explore the boundaries of\u00a0breakbeat music, expanding his sound in many directions.\u00a0As Fanu, he has\u00a0released\u00a0drum [&hellip;]<\/p>","protected":false},"author":10,"featured_media":12755,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[3369],"class_list":["post-12742","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pieces","tag-interviews"],"acf":[],"_links":{"self":[{"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/posts\/12742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/comments?post=12742"}],"version-history":[{"count":10,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/posts\/12742\/revisions"}],"predecessor-version":[{"id":12835,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/posts\/12742\/revisions\/12835"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/media\/12755"}],"wp:attachment":[{"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/media?parent=12742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/categories?post=12742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/strettoblaster.com\/it\/wp-json\/wp\/v2\/tags?post=12742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}