Disclaimer: this is not really an introduction, nor something particularly<\/em> new to you if you’re down with us for a while. If that’s the case, you might probably know very well who our friend Marco Scozzaro<\/a> is, that he lives in New York and he’s a multi-disciplinary artist.<\/p>\n Last but not least, you may also know rather well that he goes under a nice yet weird moniker, l’oggetto<\/a><\/strong>, for all his musical escapades, deejay sets and music-related activities. Hence, you won’t be surprised that today we bring you the man to discuss and dissect his latest official music release. We talk about some extremely dope deep house EPs aptly titled “Musica Da Discoteca <\/a><\/em>“. The second volume dropped last week, and it’s almost sold out so, don’t sleep on this!<\/p>\n The real meaning of the title, if you’re wondering, is much more than simply “music for a disco club<\/em>” (which is roughly the meaning of the English translation). There’s much more to it, way beyond the wordplay. Marco AKA l’oggetto<\/strong> delivers a psychological essay in music, celebrating the roots of an international inspiration known as “deep house<\/em>“, and at the same time drawing a flashy sketch of colourful sounds.<\/p>\n Those same sounds were vastly adopted in Italy’s club culture across the end of the Eighties and early Nineties and were “ignorantly” labelled as “music for disco clubs”, diminishing their own value and intrinsic existence. Quite on the opposite, L’Oggetto artfully re-uses the term coined as contemptuous, and raises it to the status of transcendental and timeless music, eternal and ephemeral at the same time.<\/p>\n“Musica da Discoteca: Vol.1”: the meaning of the name, and why we love it as it.<\/h3>\n